Blog

What brought me to the Virginia Woolf Building was the doctoral programme I am pursuing at the University of Cagliari under the scientific responsibility of professor Giampaolo Salice, and in particular the training course linked to the PON R&I scholarship I hold.

Experimental digital research is difficult for independent artists to do in terms of finance and skills on their own, but they are exactly the type of people that will move the use of digital tools forward from interesting tech demos to tools of storytelling.

A colleague asked, “What was it like attending a conference based in Hawaii compared to the usual other locations?”

The Digital Research Infrastructure for the Arts and Humanities (DARIAH-EU) is proud to announce it has renewed a Cooperating Partnership agreement with King’s College London in the United Kingdom.

This blogpost aims to present the Mission and Activities document produced by King’s Digital Lab (KDL) in collaboration with the Faculty of Arts and Humanities (King’s College London) senior management in 2022.

Room is Sad is an immersive experience that uses AI and the Internet of Things (IoT) to tell the story of a smart room that isn’t feeling quite itself. It's a humorous, accessible way to engage both an academic and general audience on questions of identity, privacy, and intelligence.

This blogpost discusses and reflects on the process and findings of the collaboration between colleagues at the Australian National University (ANU) and at King’s Digital Lab (KDL), supported by the King’s College London Australia Partnership Seed Fund and Australian National University Global Research Partnership scheme, for the period 2020-22. It provides some background and outlines three approaches to investigating the Reading at the Interface project dataset.

This is the fourth part of a blogpost published for International Research Software Engineering Day integrating and extracting from our response to the Arts and Humanities Research Council (AHRC) consultation this summer on what the role of Research Technology Professional (RTP) means to King’s Digital Lab. Research Software Engineering profiles are a category within RTPs so our response was based on the KDL experience of inhabiting those roles.

This is the third installment of a blogpost published for International Research Software Engineering Day integrating and extracting from our response to the Arts and Humanities Research Council (AHRC) consultation this summer on what the role of Research Technology Professional (RTP) means to King’s Digital Lab. Research Software Engineering profiles are a category within RTPs so our response was based on the KDL experience of inhabiting those roles.

This is the second part of a blogpost published for International Research Software Engineering Day integrating and extracting from our response to the Arts and Humanities Research Council (AHRC) consultation this summer on what the role of Research Technology Professional (RTP) means to King’s Digital Lab. Research Software Engineering profiles are a category within RTPs so our response was based on the KDL experience of inhabiting those roles.

For International Research Software Engineering Day we are publishing a serialised blogpost integrating and extracting from our response to the Arts and Humanities Research Council (AHRC) consultation this summer on what the role of Research Technology Professional (RTP) means to King’s Digital Lab. Research Software Engineering profiles are a category within RTPs so our response was based on the KDL experience of inhabiting those roles.

Whaia e koe ki te iti kahurangi, kia tāpapa koe,he maunga tiketikeFollow your treasured aspirations, if you must bow your head,let it be to a lofty mountainNāku te rourou, nāu te rourou,ka ora ai te iwiWith my basket, and your basket,we will feed the people

We recently embarked with partners on an AHRC funded scoping exercise, to define the specifications of a Complex 3D Data Repository for the Arts and Humanities.

As our new director, Arianna, mentioned in her recent blog post, Machine Learning (ML) is one of the research themes we are keen to start prioritising. Not only because it matches strong personal interests among the solution development team who are eager to experiment with new and exciting techniques (as you would expect from a Lab) but also because, as AI research moves quickly, it continuously brings new methodological opportunities to many scientific fields including the Humanities.

After almost exactly five years since I joined King’s Digital Lab (KDL) as Research Software Analyst, I have recently been appointed Director for the next four years, following the departure of KDL first director, James Smithies.

Tom Bowtell of KIT Theatre and Elliott Hall of Kings Digital Lab worked in collaboration with Leigh Ambassadors group to create a new Digital Ghost Hunt at Spinners Mill for family audiences (9+) inspired by real historical events.Listen to an episode of the Exchange's podcast Connecting Tales discussing the show, with Tom, Elliott, and Leigh Ambassador (and part time ghost) Mike Burwin.Emma Bradburn, intern for the ‘Civic Theatres: A Place for Towns’ research project wrote an account of the show on her blog.

I’ll be leaving King’s Digital Lab (KDL) this month, after 6 wonderful years, for a new role as Professor of Digital Humanities in King’s Department of Digital Humanities (DDH). Although merely a move over to the other half of Digital Humanities at King’s, and a return to a department I used to hold a fractional appointment in, it represents a significant milestone in my career. I’m grateful to the many people who have supported me to this point, in New Zealand, Australia, Jordan, and the United States, as well as the UK.

Recently I was asked to present the lab’s progress on the work done to improve accessibility in our products to the Digital Accessibility Programme Board at King’s. KDL joined the board from day one to help shape the College’s digital accessibility policy and help scope the work that needed to be done to make every platform as accessible as possible.

At its inception in 2015, King’s Digital Lab became the de facto custodian of a rich legacy of Digital Humanities (DH) research projects spanning decades of experimentation...

How to address pragmatically the substantial challenge of curating and archiving a rich estate of over 100 legacy projects without funding? Deep breath…

In these strange days technologies for virtual meetings and gatherings that have been developing steadily and quietly are now finding themselves suddenly ushered to the front of the class as we ask what might change in the workplace post COVID-19.